| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2078 |
| Prevalence of Second Most Common Vertical Interval |
0.1905 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9168 |
| Vertical Unisons |
0.04201 |
| Vertical Minor Seconds |
0.002976 |
| Vertical Thirds |
0.3172 |
| Vertical Tritones |
0.007557 |
| Vertical Perfect Fourths |
0.09851 |
| Vertical Perfect Fifths |
0.1905 |
| Vertical Sixths |
0.134 |
| Vertical Sevenths |
0.02441 |
| Vertical Octaves |
0.1658 |
| Perfect Vertical Intervals |
0.4969 |
| Vertical Dissonance Ratio |
0.05485 |
| Vertical Minor Third Prevalence |
0.4257 |
| Vertical Major Third Prevalence |
0.3335 |
| Chord Duration |
3.27 |
| Partial Chords |
0.5302 |
| Standard Triads |
0.3575 |
| Diminished and Augmented Triads |
0.01275 |
| Dominant Seventh Chords |
0.002452 |
| Seventh Chords |
0.01079 |
| Non-Standard Chords |
0.1015 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.471 |
| Average Number of Simultaneous Pitch Classes |
2.336 |
| Variability of Number of Simultaneous Pitch Classes |
0.702 |
| Average Number of Simultaneous Pitches |
2.843 |
| Variability of Number of Simultaneous Pitches |
0.9301 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.292 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
163.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.212 |
| Stepwise Motion |
0.687 |
| Melodic Thirds |
0.1465 |
| Melodic Perfect Fourths |
0.06548 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04495 |
| Melodic Sixths |
0.00222 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0172 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.3 |
| Melodic Embellishments |
0.02492 |
| Direction of Melodic Motion |
0.4533 |
| Average Length of Melodic Arcs |
2.069 |
| Average Interval Spanned by Melodic Arcs |
5.365 |
| Melodic Pitch Variety |
5.664 |
| Mean Melodic Interval |
2.513 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.475 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4463 |
| Amount of Arpeggiation |
0.2453 |
| Repeated Notes |
0.03663 |
| Importance of Middle Register |
0.6816 |
| Importance of High Register |
0.008859 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.46 |
| Mean Pitch Class |
5.135 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1157 |
| Prevalence of Most Common Pitch Class |
0.2171 |
| Relative Prevalence of Top Pitches |
0.9187 |
| Relative Prevalence of Top Pitch Classes |
0.7704 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.685 |
| Pitch Class Variability |
3.318 |
| Pitch Class Variability After Folding |
3.265 |
| Pitch Skewness |
0.4423 |
| Pitch Class Skewness |
0.1221 |
| Pitch Class Skewness After Folding |
0.5577 |
| Pitch Kurtosis |
5.389 |
| Pitch Class Kurtosis |
4.878 |
| Pitch Class Kurtosis After Folding |
6.704 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.3095 |
| Note Density per Quarter Note |
0.789 |
| Note Density per Quarter Note per Voice |
0.1972 |
| Note Density per Quarter Note Variability |
0.4969 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001107 |
| Prevalence of Medium Rhythmic Values |
0.4092 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8804 |
| Prevalence of Very Long Rhythmic Values |
0.18 |
| Prevalence of Dotted Notes |
0.1058 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.73 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3704 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7818 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.345 |
| Rhythmic Value Skewness |
-0.3457 |
| Rhythmic Value Kurtosis |
7.713 |
| Mean Rhythmic Value Run Length |
1.643 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.111 |
| Mean Rhythmic Value Offset |
0.04873 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7154 |
| Complete Rests Fraction |
0.0003044 |
| Partial Rests Fraction |
0.6691 |
| Average Rest Fraction Across Voices |
0.2864 |
| Longest Complete Rest |
0.6967 |
| Longest Partial Rest |
591.1 |
| Mean Complete Rest Duration |
0.6967 |
| Mean Partial Rest Duration |
31.22 |
| Median Complete Rest Duration |
0.6967 |
| Median Partial Rest Duration |
5.317 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
96.49 |
| Variability Across Voices of Combined Rests |
518.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6461 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1806 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.577 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8267 |
| Rhythmic Variability - Tempo Standardized |
0.05438 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1806.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.046 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
3.28 |
| Average Note Duration |
0.7038 |
| Variability of Note Durations |
0.407 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
334.0 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.351 |
| Strength of Second Strongest Rhythmic Pulse |
0.2432 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.443 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5942 |
| Rhythmic Variability |
0.03845 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
93.59 |
| Duration in Seconds |
445.3 |
| Note Density |
4.056 |
| Note Density Variability |
1.604 |
| Average Time Between Attacks |
0.4646 |
| Average Time Between Attacks for Each Voice |
1.103 |
| Variability of Time Between Attacks |
0.2436 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5938 |
| Relative Range Isolation of Loudest Voice |
0.26 |
| Relative Range of Highest Line |
0.5938 |
| Relative Note Density of Highest Line |
0.144 |
| Relative Note Durations of Lowest Line |
0.9991 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.881 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.07702 |
| Average Number of Independent Voices |
2.983 |
| Similar Motion |
0.1547 |
| Contrary Motion |
0.1996 |
| Oblique Motion |
0.5687 |
| Parallel Fifths |
0.005545 |
| Parallel Octaves |
0.004313 |
| Variability of Number of Independent Voices |
0.945 |
| Voice Equality - Number of Notes |
163.8 |
| Voice Equality - Note Duration |
100.8 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
11.67 |