| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1937 |
| Prevalence of Second Most Common Vertical Interval |
0.1825 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9423 |
| Vertical Unisons |
0.02219 |
| Vertical Minor Seconds |
0.002534 |
| Vertical Thirds |
0.3382 |
| Vertical Tritones |
0.005067 |
| Vertical Perfect Fourths |
0.0591 |
| Vertical Perfect Fifths |
0.1937 |
| Vertical Sixths |
0.1659 |
| Vertical Sevenths |
0.03045 |
| Vertical Octaves |
0.1573 |
| Perfect Vertical Intervals |
0.4323 |
| Vertical Dissonance Ratio |
0.06792 |
| Vertical Minor Third Prevalence |
0.4035 |
| Vertical Major Third Prevalence |
0.3333 |
| Chord Duration |
1.908 |
| Partial Chords |
0.5237 |
| Standard Triads |
0.346 |
| Diminished and Augmented Triads |
0.007109 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1303 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.433 |
| Average Number of Simultaneous Pitch Classes |
2.366 |
| Variability of Number of Simultaneous Pitch Classes |
0.6174 |
| Average Number of Simultaneous Pitches |
2.761 |
| Variability of Number of Simultaneous Pitches |
0.4563 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
15.0 |
| Variation of Dynamics |
6.26 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
3.512 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2618 |
| Stepwise Motion |
0.7253 |
| Melodic Thirds |
0.103 |
| Melodic Perfect Fourths |
0.05365 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05579 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02361 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.429 |
| Melodic Embellishments |
0.01066 |
| Direction of Melodic Motion |
0.4286 |
| Average Length of Melodic Arcs |
1.851 |
| Average Interval Spanned by Melodic Arcs |
4.694 |
| Melodic Pitch Variety |
5.273 |
| Mean Melodic Interval |
2.47 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4635 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5648 |
| Amount of Arpeggiation |
0.221 |
| Repeated Notes |
0.03863 |
| Importance of Middle Register |
0.6119 |
| Importance of High Register |
0.002132 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.36 |
| Mean Pitch Class |
5.122 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1151 |
| Prevalence of Most Common Pitch Class |
0.2196 |
| Relative Prevalence of Top Pitches |
0.9815 |
| Relative Prevalence of Top Pitch Classes |
0.932 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.919 |
| Pitch Class Variability |
3.319 |
| Pitch Class Variability After Folding |
3.4 |
| Pitch Skewness |
0.0379 |
| Pitch Class Skewness |
0.1098 |
| Pitch Class Skewness After Folding |
0.8786 |
| Pitch Kurtosis |
5.115 |
| Pitch Class Kurtosis |
4.777 |
| Pitch Class Kurtosis After Folding |
6.063 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3859 |
| Note Density per Quarter Note |
1.026 |
| Note Density per Quarter Note per Voice |
0.3421 |
| Note Density per Quarter Note Variability |
0.3729 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5693 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7676 |
| Prevalence of Very Long Rhythmic Values |
0.03625 |
| Prevalence of Dotted Notes |
0.06823 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.725 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3369 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9873 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.625 |
| Rhythmic Value Skewness |
1.339 |
| Rhythmic Value Kurtosis |
11.46 |
| Mean Rhythmic Value Run Length |
1.479 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9398 |
| Mean Rhythmic Value Offset |
0.01706 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2609 |
| Complete Rests Fraction |
0.00217 |
| Partial Rests Fraction |
0.1729 |
| Average Rest Fraction Across Voices |
0.06198 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.046 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.34 |
| Variability Across Voices of Combined Rests |
5.033 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5671 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2347 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.416 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8019 |
| Rhythmic Variability - Tempo Standardized |
0.05061 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
469.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4419 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5712 |
| Variability of Note Durations |
0.3624 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.262 |
| Strength of Second Strongest Rhythmic Pulse |
0.2534 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.034 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5153 |
| Rhythmic Variability |
0.03543 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000004146 |
| Duration in Seconds |
95.21 |
| Note Density |
4.926 |
| Note Density Variability |
1.545 |
| Average Time Between Attacks |
0.3824 |
| Average Time Between Attacks for Each Voice |
0.5905 |
| Variability of Time Between Attacks |
0.1736 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4483 |
| Relative Range Isolation of Loudest Voice |
0.2222 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.4094 |
| Relative Note Durations of Lowest Line |
1.033 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.823 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.079 |
| Average Number of Independent Voices |
2.82 |
| Similar Motion |
0.1663 |
| Contrary Motion |
0.2058 |
| Oblique Motion |
0.5489 |
| Parallel Fifths |
0.008316 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4062 |
| Voice Equality - Number of Notes |
3.512 |
| Voice Equality - Note Duration |
1.049 |
| Voice Equality - Dynamics |
7.638 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
2.309 |
| Importance of Loudest Voice |
10.0 |