| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.1845 |
| Prevalence of Second Most Common Vertical Interval |
0.1731 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9386 |
| Vertical Unisons |
0.01605 |
| Vertical Minor Seconds |
0.008704 |
| Vertical Thirds |
0.3576 |
| Vertical Tritones |
0.008509 |
| Vertical Perfect Fourths |
0.0652 |
| Vertical Perfect Fifths |
0.158 |
| Vertical Sixths |
0.1774 |
| Vertical Sevenths |
0.0319 |
| Vertical Octaves |
0.1536 |
| Perfect Vertical Intervals |
0.3928 |
| Vertical Dissonance Ratio |
0.07774 |
| Vertical Minor Third Prevalence |
0.4004 |
| Vertical Major Third Prevalence |
0.3898 |
| Chord Duration |
1.95 |
| Partial Chords |
0.5135 |
| Standard Triads |
0.3536 |
| Diminished and Augmented Triads |
0.01577 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1329 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.093 |
| Average Number of Simultaneous Pitch Classes |
2.398 |
| Variability of Number of Simultaneous Pitch Classes |
0.5986 |
| Average Number of Simultaneous Pitches |
2.803 |
| Variability of Number of Simultaneous Pitches |
0.4134 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.391 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
10.58 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2642 |
| Stepwise Motion |
0.7154 |
| Melodic Thirds |
0.1159 |
| Melodic Perfect Fourths |
0.04472 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03659 |
| Melodic Sixths |
0.002033 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00813 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.167 |
| Melodic Embellishments |
0.01616 |
| Direction of Melodic Motion |
0.4824 |
| Average Length of Melodic Arcs |
1.846 |
| Average Interval Spanned by Melodic Arcs |
4.252 |
| Melodic Pitch Variety |
4.914 |
| Mean Melodic Interval |
2.144 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4512 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5856 |
| Amount of Arpeggiation |
0.2378 |
| Repeated Notes |
0.07724 |
| Importance of Middle Register |
0.802 |
| Importance of High Register |
0.02222 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.1 |
| Mean Pitch Class |
5.489 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1091 |
| Prevalence of Most Common Pitch Class |
0.1758 |
| Relative Prevalence of Top Pitches |
0.9259 |
| Relative Prevalence of Top Pitch Classes |
0.954 |
| Interval Between Most Prevalent Pitches |
1.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.504 |
| Pitch Class Variability |
3.707 |
| Pitch Class Variability After Folding |
2.965 |
| Pitch Skewness |
0.3289 |
| Pitch Class Skewness |
0.3957 |
| Pitch Class Skewness After Folding |
0.3229 |
| Pitch Kurtosis |
5.257 |
| Pitch Class Kurtosis |
4.831 |
| Pitch Class Kurtosis After Folding |
7.517 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.1758 |
| Note Density per Quarter Note |
1.047 |
| Note Density per Quarter Note per Voice |
0.3488 |
| Note Density per Quarter Note Variability |
0.3997 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5475 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7717 |
| Prevalence of Very Long Rhythmic Values |
0.03636 |
| Prevalence of Dotted Notes |
0.09697 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.715 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3293 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9693 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.494 |
| Rhythmic Value Skewness |
1.436 |
| Rhythmic Value Kurtosis |
8.029 |
| Mean Rhythmic Value Run Length |
1.533 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.121 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002097 |
| Partial Rests Fraction |
0.1501 |
| Average Rest Fraction Across Voices |
0.05284 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.57 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.093 |
| Variability Across Voices of Combined Rests |
10.58 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5287 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2371 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.23 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7658 |
| Rhythmic Variability - Tempo Standardized |
0.04901 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
495.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3659 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.5657 |
| Variability of Note Durations |
0.3113 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.254 |
| Strength of Second Strongest Rhythmic Pulse |
0.2475 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.026 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5015 |
| Rhythmic Variability |
0.03472 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000004313 |
| Duration in Seconds |
98.54 |
| Note Density |
5.023 |
| Note Density Variability |
1.154 |
| Average Time Between Attacks |
0.3759 |
| Average Time Between Attacks for Each Voice |
0.5822 |
| Variability of Time Between Attacks |
0.1822 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6071 |
| Relative Range Isolation of Loudest Voice |
0.7325 |
| Relative Range of Highest Line |
0.6071 |
| Relative Note Density of Highest Line |
0.4121 |
| Relative Note Durations of Lowest Line |
0.9456 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.7354 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
4.95 |
| Parallel Motion |
0.06598 |
| Average Number of Independent Voices |
2.847 |
| Similar Motion |
0.1814 |
| Contrary Motion |
0.2124 |
| Oblique Motion |
0.5402 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3711 |
| Voice Equality - Number of Notes |
10.58 |
| Voice Equality - Note Duration |
2.205 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.082 |
| Importance of Loudest Voice |
12.5 |