| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1684 |
| Prevalence of Second Most Common Vertical Interval |
0.1591 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9453 |
| Vertical Unisons |
0.01313 |
| Vertical Minor Seconds |
0.008755 |
| Vertical Thirds |
0.3124 |
| Vertical Tritones |
0.02399 |
| Vertical Perfect Fourths |
0.1339 |
| Vertical Perfect Fifths |
0.1517 |
| Vertical Sixths |
0.1354 |
| Vertical Sevenths |
0.0389 |
| Vertical Octaves |
0.1552 |
| Perfect Vertical Intervals |
0.4539 |
| Vertical Dissonance Ratio |
0.109 |
| Vertical Minor Third Prevalence |
0.3182 |
| Vertical Major Third Prevalence |
0.3068 |
| Chord Duration |
1.788 |
| Partial Chords |
0.6111 |
| Standard Triads |
0.2436 |
| Diminished and Augmented Triads |
0.03419 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1453 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4615 |
| Average Number of Simultaneous Pitch Classes |
2.231 |
| Variability of Number of Simultaneous Pitch Classes |
0.6364 |
| Average Number of Simultaneous Pitches |
2.583 |
| Variability of Number of Simultaneous Pitches |
0.5909 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.156 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.68 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2406 |
| Stepwise Motion |
0.7594 |
| Melodic Thirds |
0.1466 |
| Melodic Perfect Fourths |
0.05263 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01128 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007519 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.25 |
| Melodic Embellishments |
0.04833 |
| Direction of Melodic Motion |
0.4462 |
| Average Length of Melodic Arcs |
1.955 |
| Average Interval Spanned by Melodic Arcs |
4.278 |
| Melodic Pitch Variety |
4.953 |
| Mean Melodic Interval |
2.195 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5188 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4638 |
| Amount of Arpeggiation |
0.188 |
| Repeated Notes |
0.02256 |
| Importance of Middle Register |
0.8922 |
| Importance of High Register |
0.01115 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
60.96 |
| Mean Pitch Class |
5.81 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1227 |
| Prevalence of Most Common Pitch Class |
0.2305 |
| Relative Prevalence of Top Pitches |
0.8788 |
| Relative Prevalence of Top Pitch Classes |
0.6774 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
5.907 |
| Pitch Class Variability |
3.509 |
| Pitch Class Variability After Folding |
2.978 |
| Pitch Skewness |
0.7306 |
| Pitch Class Skewness |
-1.017 |
| Pitch Class Skewness After Folding |
0.2022 |
| Pitch Kurtosis |
5.204 |
| Pitch Class Kurtosis |
5.015 |
| Pitch Class Kurtosis After Folding |
7.656 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.09665 |
| Note Density per Quarter Note |
1.015 |
| Note Density per Quarter Note per Voice |
0.3384 |
| Note Density per Quarter Note Variability |
0.4713 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6134 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7658 |
| Prevalence of Very Long Rhythmic Values |
0.02974 |
| Prevalence of Dotted Notes |
0.1078 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.565 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3792 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6765 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.511 |
| Rhythmic Value Skewness |
1.122 |
| Rhythmic Value Kurtosis |
13.26 |
| Mean Rhythmic Value Run Length |
1.573 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.073 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003742 |
| Partial Rests Fraction |
0.3434 |
| Average Rest Fraction Across Voices |
0.132 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.561 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.034 |
| Variability Across Voices of Combined Rests |
3.464 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.549 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2335 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.351 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7825 |
| Rhythmic Variability - Tempo Standardized |
0.04981 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
269.0 |
| Initial Tempo |
304.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4526 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
2.368 |
| Average Note Duration |
0.5063 |
| Variability of Note Durations |
0.2983 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
304.0 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.25 |
| Strength of Second Strongest Rhythmic Pulse |
0.2416 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.035 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4916 |
| Rhythmic Variability |
0.03464 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.00000000002189 |
| Duration in Seconds |
52.3 |
| Note Density |
5.143 |
| Note Density Variability |
1.497 |
| Average Time Between Attacks |
0.3397 |
| Average Time Between Attacks for Each Voice |
0.5479 |
| Variability of Time Between Attacks |
0.1571 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5769 |
| Relative Range Isolation of Loudest Voice |
0.4457 |
| Relative Range of Highest Line |
0.5769 |
| Relative Note Density of Highest Line |
0.7472 |
| Relative Note Durations of Lowest Line |
1.147 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8439 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.08108 |
| Average Number of Independent Voices |
2.614 |
| Similar Motion |
0.1583 |
| Contrary Motion |
0.2201 |
| Oblique Motion |
0.5405 |
| Parallel Fifths |
0.007722 |
| Parallel Octaves |
0.003861 |
| Variability of Number of Independent Voices |
0.5727 |
| Voice Equality - Number of Notes |
11.68 |
| Voice Equality - Note Duration |
0.6837 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.528 |
| Importance of Loudest Voice |
12.5 |