| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1868 |
| Prevalence of Second Most Common Vertical Interval |
0.1809 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9682 |
| Vertical Unisons |
0.03338 |
| Vertical Minor Seconds |
0.005365 |
| Vertical Thirds |
0.3498 |
| Vertical Tritones |
0.009936 |
| Vertical Perfect Fourths |
0.08816 |
| Vertical Perfect Fifths |
0.1612 |
| Vertical Sixths |
0.1566 |
| Vertical Sevenths |
0.02707 |
| Vertical Octaves |
0.1535 |
| Perfect Vertical Intervals |
0.4362 |
| Vertical Dissonance Ratio |
0.06087 |
| Vertical Minor Third Prevalence |
0.4103 |
| Vertical Major Third Prevalence |
0.4249 |
| Chord Duration |
2.798 |
| Partial Chords |
0.4925 |
| Standard Triads |
0.3945 |
| Diminished and Augmented Triads |
0.02247 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008115 |
| Non-Standard Chords |
0.1049 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4801 |
| Average Number of Simultaneous Pitch Classes |
2.388 |
| Variability of Number of Simultaneous Pitch Classes |
0.693 |
| Average Number of Simultaneous Pitches |
2.859 |
| Variability of Number of Simultaneous Pitches |
0.885 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.82 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
133.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2164 |
| Stepwise Motion |
0.679 |
| Melodic Thirds |
0.1383 |
| Melodic Perfect Fourths |
0.06353 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04236 |
| Melodic Sixths |
0.004633 |
| Melodic Sevenths |
0.0006618 |
| Melodic Octaves |
0.01191 |
| Melodic Large Intervals |
0.001324 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.944 |
| Melodic Embellishments |
0.01782 |
| Direction of Melodic Motion |
0.4814 |
| Average Length of Melodic Arcs |
1.931 |
| Average Interval Spanned by Melodic Arcs |
4.948 |
| Melodic Pitch Variety |
5.265 |
| Mean Melodic Interval |
2.427 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4626 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4678 |
| Amount of Arpeggiation |
0.2528 |
| Repeated Notes |
0.05824 |
| Importance of Middle Register |
0.8389 |
| Importance of High Register |
0.0198 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.06 |
| Mean Pitch Class |
5.198 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.101 |
| Prevalence of Most Common Pitch Class |
0.1769 |
| Relative Prevalence of Top Pitches |
0.9542 |
| Relative Prevalence of Top Pitch Classes |
0.944 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.402 |
| Pitch Class Variability |
3.549 |
| Pitch Class Variability After Folding |
3.106 |
| Pitch Skewness |
-0.283 |
| Pitch Class Skewness |
0.1674 |
| Pitch Class Skewness After Folding |
0.2295 |
| Pitch Kurtosis |
5.256 |
| Pitch Class Kurtosis |
4.858 |
| Pitch Class Kurtosis After Folding |
7.3 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.1413 |
| Note Density per Quarter Note |
0.8545 |
| Note Density per Quarter Note per Voice |
0.2136 |
| Note Density per Quarter Note Variability |
0.406 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4224 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8957 |
| Prevalence of Very Long Rhythmic Values |
0.1023 |
| Prevalence of Dotted Notes |
0.08845 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.424 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.433 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7348 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.999 |
| Rhythmic Value Skewness |
-0.8636 |
| Rhythmic Value Kurtosis |
10.56 |
| Mean Rhythmic Value Run Length |
1.683 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.108 |
| Mean Rhythmic Value Offset |
0.05017 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4453 |
| Complete Rests Fraction |
0.0003471 |
| Partial Rests Fraction |
0.6258 |
| Average Rest Fraction Across Voices |
0.2609 |
| Longest Complete Rest |
0.6153 |
| Longest Partial Rest |
491.8 |
| Mean Complete Rest Duration |
0.6153 |
| Mean Partial Rest Duration |
23.72 |
| Median Complete Rest Duration |
0.6153 |
| Median Partial Rest Duration |
7.567 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
57.98 |
| Variability Across Voices of Combined Rests |
260.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7031 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1546 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.548 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8577 |
| Rhythmic Variability - Tempo Standardized |
0.05768 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1515.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.06 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.762 |
| Variability of Note Durations |
0.4784 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
279.1 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3732 |
| Strength of Second Strongest Rhythmic Pulse |
0.2857 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.307 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6589 |
| Rhythmic Variability |
0.04166 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
48.39 |
| Duration in Seconds |
390.5 |
| Note Density |
3.879 |
| Note Density Variability |
1.296 |
| Average Time Between Attacks |
0.5004 |
| Average Time Between Attacks for Each Voice |
1.171 |
| Variability of Time Between Attacks |
0.2628 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6786 |
| Relative Range Isolation of Loudest Voice |
0.3839 |
| Relative Range of Highest Line |
0.6786 |
| Relative Note Density of Highest Line |
0.1795 |
| Relative Note Durations of Lowest Line |
0.9636 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8964 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06534 |
| Average Number of Independent Voices |
2.971 |
| Similar Motion |
0.1555 |
| Contrary Motion |
0.2479 |
| Oblique Motion |
0.5312 |
| Parallel Fifths |
0.004261 |
| Parallel Octaves |
0.002131 |
| Variability of Number of Independent Voices |
0.9171 |
| Voice Equality - Number of Notes |
131.8 |
| Voice Equality - Note Duration |
57.47 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
15.0 |