| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1936 |
| Prevalence of Second Most Common Vertical Interval |
0.1911 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9868 |
| Vertical Unisons |
0.01932 |
| Vertical Minor Seconds |
0.007737 |
| Vertical Thirds |
0.3282 |
| Vertical Tritones |
0.008677 |
| Vertical Perfect Fourths |
0.07342 |
| Vertical Perfect Fifths |
0.1911 |
| Vertical Sixths |
0.141 |
| Vertical Sevenths |
0.03758 |
| Vertical Octaves |
0.1743 |
| Perfect Vertical Intervals |
0.4581 |
| Vertical Dissonance Ratio |
0.0784 |
| Vertical Minor Third Prevalence |
0.3646 |
| Vertical Major Third Prevalence |
0.3248 |
| Chord Duration |
2.019 |
| Partial Chords |
0.604 |
| Standard Triads |
0.2872 |
| Diminished and Augmented Triads |
0.0117 |
| Dominant Seventh Chords |
0.00253 |
| Seventh Chords |
0.00506 |
| Non-Standard Chords |
0.1037 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9237 |
| Average Number of Simultaneous Pitch Classes |
2.26 |
| Variability of Number of Simultaneous Pitch Classes |
0.6816 |
| Average Number of Simultaneous Pitches |
2.687 |
| Variability of Number of Simultaneous Pitches |
0.8247 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.008 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
158.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2439 |
| Stepwise Motion |
0.7057 |
| Melodic Thirds |
0.1506 |
| Melodic Perfect Fourths |
0.06663 |
| Melodic Tritones |
0.0005794 |
| Melodic Perfect Fifths |
0.03418 |
| Melodic Sixths |
0.002317 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01333 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.377 |
| Melodic Embellishments |
0.0237 |
| Direction of Melodic Motion |
0.4708 |
| Average Length of Melodic Arcs |
2.077 |
| Average Interval Spanned by Melodic Arcs |
5.138 |
| Melodic Pitch Variety |
5.39 |
| Mean Melodic Interval |
2.418 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4618 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5282 |
| Amount of Arpeggiation |
0.2248 |
| Repeated Notes |
0.02665 |
| Importance of Middle Register |
0.7277 |
| Importance of High Register |
0.004624 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.87 |
| Mean Pitch Class |
5.639 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09595 |
| Prevalence of Most Common Pitch Class |
0.1867 |
| Relative Prevalence of Top Pitches |
0.9458 |
| Relative Prevalence of Top Pitch Classes |
0.8576 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.185 |
| Pitch Class Variability |
3.356 |
| Pitch Class Variability After Folding |
4.048 |
| Pitch Skewness |
0.2066 |
| Pitch Class Skewness |
-1.216 |
| Pitch Class Skewness After Folding |
1.067 |
| Pitch Kurtosis |
5.309 |
| Pitch Class Kurtosis |
4.793 |
| Pitch Class Kurtosis After Folding |
4.748 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2676 |
| Note Density per Quarter Note |
0.9692 |
| Note Density per Quarter Note per Voice |
0.2423 |
| Note Density per Quarter Note Variability |
0.5211 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008092 |
| Prevalence of Medium Rhythmic Values |
0.6197 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7382 |
| Prevalence of Very Long Rhythmic Values |
0.08439 |
| Prevalence of Dotted Notes |
0.1387 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.76 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3578 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7092 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.076 |
| Rhythmic Value Skewness |
1.097 |
| Rhythmic Value Kurtosis |
12.02 |
| Mean Rhythmic Value Run Length |
1.547 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.025 |
| Mean Rhythmic Value Offset |
0.06705 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.02 |
| Complete Rests Fraction |
0.0006151 |
| Partial Rests Fraction |
0.7763 |
| Average Rest Fraction Across Voices |
0.3182 |
| Longest Complete Rest |
1.098 |
| Longest Partial Rest |
612.2 |
| Mean Complete Rest Duration |
1.098 |
| Mean Partial Rest Duration |
33.91 |
| Median Complete Rest Duration |
1.098 |
| Median Partial Rest Duration |
3.567 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
101.0 |
| Variability Across Voices of Combined Rests |
558.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5169 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2395 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.158 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7564 |
| Rhythmic Variability - Tempo Standardized |
0.04834 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1730.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.662 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.6574 |
| Variability of Note Durations |
0.5854 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
259.9 |
| Strongest Rhythmic Pulse |
43.0 |
| Second Strongest Rhythmic Pulse |
65.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.2627 |
| Strength of Second Strongest Rhythmic Pulse |
0.2566 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.024 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5193 |
| Rhythmic Variability |
0.03647 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
28.0 |
| Duration in Seconds |
417.0 |
| Note Density |
4.149 |
| Note Density Variability |
1.825 |
| Average Time Between Attacks |
0.416 |
| Average Time Between Attacks for Each Voice |
1.322 |
| Variability of Time Between Attacks |
0.2873 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.3315 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.1526 |
| Relative Note Durations of Lowest Line |
0.9675 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8231 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.04504 |
| Average Number of Independent Voices |
2.741 |
| Similar Motion |
0.1215 |
| Contrary Motion |
0.2328 |
| Oblique Motion |
0.6007 |
| Parallel Fifths |
0.0005426 |
| Parallel Octaves |
0.001628 |
| Variability of Number of Independent Voices |
0.8412 |
| Voice Equality - Number of Notes |
251.8 |
| Voice Equality - Note Duration |
130.5 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.517 |
| Importance of Loudest Voice |
15.0 |