| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1973 |
| Prevalence of Second Most Common Vertical Interval |
0.1938 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9823 |
| Vertical Unisons |
0.02639 |
| Vertical Minor Seconds |
0.005679 |
| Vertical Thirds |
0.3686 |
| Vertical Tritones |
0.01318 |
| Vertical Perfect Fourths |
0.07214 |
| Vertical Perfect Fifths |
0.1938 |
| Vertical Sixths |
0.1279 |
| Vertical Sevenths |
0.03334 |
| Vertical Octaves |
0.1367 |
| Perfect Vertical Intervals |
0.4291 |
| Vertical Dissonance Ratio |
0.08052 |
| Vertical Minor Third Prevalence |
0.3306 |
| Vertical Major Third Prevalence |
0.2944 |
| Chord Duration |
2.765 |
| Partial Chords |
0.7076 |
| Standard Triads |
0.1821 |
| Diminished and Augmented Triads |
0.02185 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1103 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5086 |
| Average Number of Simultaneous Pitch Classes |
2.125 |
| Variability of Number of Simultaneous Pitch Classes |
0.607 |
| Average Number of Simultaneous Pitches |
2.38 |
| Variability of Number of Simultaneous Pitches |
0.6315 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.48 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
131.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1862 |
| Stepwise Motion |
0.7048 |
| Melodic Thirds |
0.1702 |
| Melodic Perfect Fourths |
0.04122 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03457 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01463 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.246 |
| Melodic Embellishments |
0.02517 |
| Direction of Melodic Motion |
0.4339 |
| Average Length of Melodic Arcs |
2.129 |
| Average Interval Spanned by Melodic Arcs |
5.308 |
| Melodic Pitch Variety |
5.614 |
| Mean Melodic Interval |
2.434 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5186 |
| Relative Prevalence of Most Common Melodic Intervals |
0.359 |
| Amount of Arpeggiation |
0.254 |
| Repeated Notes |
0.03457 |
| Importance of Middle Register |
0.9364 |
| Importance of High Register |
0.06225 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.39 |
| Mean Pitch Class |
5.04 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1629 |
| Prevalence of Most Common Pitch Class |
0.2106 |
| Relative Prevalence of Top Pitches |
0.7398 |
| Relative Prevalence of Top Pitch Classes |
0.9245 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.216 |
| Pitch Class Variability |
3.589 |
| Pitch Class Variability After Folding |
2.996 |
| Pitch Skewness |
-0.004571 |
| Pitch Class Skewness |
0.03321 |
| Pitch Class Skewness After Folding |
0.9351 |
| Pitch Kurtosis |
5.361 |
| Pitch Class Kurtosis |
4.861 |
| Pitch Class Kurtosis After Folding |
7.853 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
60.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.001325 |
| Note Density per Quarter Note |
0.6833 |
| Note Density per Quarter Note per Voice |
0.2278 |
| Note Density per Quarter Note Variability |
0.2974 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002649 |
| Prevalence of Medium Rhythmic Values |
0.4437 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8861 |
| Prevalence of Very Long Rhythmic Values |
0.1444 |
| Prevalence of Dotted Notes |
0.102 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.518 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3682 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8957 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.194 |
| Rhythmic Value Skewness |
-0.6592 |
| Rhythmic Value Kurtosis |
8.756 |
| Mean Rhythmic Value Run Length |
1.538 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9412 |
| Mean Rhythmic Value Offset |
0.03709 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3836 |
| Complete Rests Fraction |
0.0008485 |
| Partial Rests Fraction |
0.4799 |
| Average Rest Fraction Across Voices |
0.1811 |
| Longest Complete Rest |
0.9376 |
| Longest Partial Rest |
257.2 |
| Mean Complete Rest Duration |
0.9376 |
| Mean Partial Rest Duration |
17.65 |
| Median Complete Rest Duration |
0.9376 |
| Median Partial Rest Duration |
2.347 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
56.3 |
| Variability Across Voices of Combined Rests |
268.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6812 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.161 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.231 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8422 |
| Rhythmic Variability - Tempo Standardized |
0.05633 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
755.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.886 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.7923 |
| Variability of Note Durations |
0.5381 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
274.6 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3488 |
| Strength of Second Strongest Rhythmic Pulse |
0.2812 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.24 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.63 |
| Rhythmic Variability |
0.04065 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
23.88 |
| Duration in Seconds |
243.5 |
| Note Density |
3.101 |
| Note Density Variability |
0.7543 |
| Average Time Between Attacks |
0.5068 |
| Average Time Between Attacks for Each Voice |
1.293 |
| Variability of Time Between Attacks |
0.2906 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.8462 |
| Relative Range Isolation of Loudest Voice |
0.4245 |
| Relative Range of Highest Line |
0.8462 |
| Relative Note Density of Highest Line |
0.2702 |
| Relative Note Durations of Lowest Line |
0.9631 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8013 |
| Voice Separation |
3.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.05031 |
| Average Number of Independent Voices |
2.431 |
| Similar Motion |
0.1431 |
| Contrary Motion |
0.1808 |
| Oblique Motion |
0.6258 |
| Parallel Fifths |
0.004717 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6129 |
| Voice Equality - Number of Notes |
131.9 |
| Voice Equality - Note Duration |
59.15 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.163 |
| Importance of Loudest Voice |
12.5 |