| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2085 |
| Prevalence of Second Most Common Vertical Interval |
0.1848 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8865 |
| Vertical Unisons |
0.02604 |
| Vertical Minor Seconds |
0.002003 |
| Vertical Thirds |
0.333 |
| Vertical Tritones |
0.01031 |
| Vertical Perfect Fourths |
0.09097 |
| Vertical Perfect Fifths |
0.1809 |
| Vertical Sixths |
0.1419 |
| Vertical Sevenths |
0.01841 |
| Vertical Octaves |
0.1824 |
| Perfect Vertical Intervals |
0.4803 |
| Vertical Dissonance Ratio |
0.04695 |
| Vertical Minor Third Prevalence |
0.4539 |
| Vertical Major Third Prevalence |
0.5289 |
| Chord Duration |
3.511 |
| Partial Chords |
0.3956 |
| Standard Triads |
0.4823 |
| Diminished and Augmented Triads |
0.02091 |
| Dominant Seventh Chords |
0.002163 |
| Seventh Chords |
0.007931 |
| Non-Standard Chords |
0.1142 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4439 |
| Average Number of Simultaneous Pitch Classes |
2.552 |
| Variability of Number of Simultaneous Pitch Classes |
0.6127 |
| Average Number of Simultaneous Pitches |
3.247 |
| Variability of Number of Simultaneous Pitches |
0.8011 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.113 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
40.71 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1816 |
| Stepwise Motion |
0.607 |
| Melodic Thirds |
0.1716 |
| Melodic Perfect Fourths |
0.07048 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04809 |
| Melodic Sixths |
0.0008292 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01161 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.62 |
| Melodic Embellishments |
0.02975 |
| Direction of Melodic Motion |
0.464 |
| Average Length of Melodic Arcs |
1.878 |
| Average Interval Spanned by Melodic Arcs |
5.014 |
| Melodic Pitch Variety |
5.114 |
| Mean Melodic Interval |
2.448 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4254 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4269 |
| Amount of Arpeggiation |
0.3217 |
| Repeated Notes |
0.09038 |
| Importance of Middle Register |
0.8149 |
| Importance of High Register |
0.04793 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.28 |
| Mean Pitch Class |
4.812 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1008 |
| Prevalence of Most Common Pitch Class |
0.1967 |
| Relative Prevalence of Top Pitches |
0.9918 |
| Relative Prevalence of Top Pitch Classes |
0.9328 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.988 |
| Pitch Class Variability |
3.56 |
| Pitch Class Variability After Folding |
3.289 |
| Pitch Skewness |
-0.06564 |
| Pitch Class Skewness |
-0.1581 |
| Pitch Class Skewness After Folding |
1.077 |
| Pitch Kurtosis |
5.427 |
| Pitch Class Kurtosis |
4.892 |
| Pitch Class Kurtosis After Folding |
6.951 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1372 |
| Note Density per Quarter Note |
0.8328 |
| Note Density per Quarter Note per Voice |
0.2082 |
| Note Density per Quarter Note Variability |
0.4407 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2793 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9306 |
| Prevalence of Very Long Rhythmic Values |
0.1967 |
| Prevalence of Dotted Notes |
0.1545 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.043 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4446 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4721 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.199 |
| Rhythmic Value Skewness |
0.05806 |
| Rhythmic Value Kurtosis |
7.64 |
| Mean Rhythmic Value Run Length |
1.576 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.235 |
| Mean Rhythmic Value Offset |
0.03209 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2194 |
| Complete Rests Fraction |
0.0004417 |
| Partial Rests Fraction |
0.4862 |
| Average Rest Fraction Across Voices |
0.1768 |
| Longest Complete Rest |
0.6417 |
| Longest Partial Rest |
284.1 |
| Mean Complete Rest Duration |
0.6417 |
| Mean Partial Rest Duration |
14.08 |
| Median Complete Rest Duration |
0.6417 |
| Median Partial Rest Duration |
4.898 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
38.25 |
| Variability Across Voices of Combined Rests |
110.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6013 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1367 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.398 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.738 |
| Rhythmic Variability - Tempo Standardized |
0.05028 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1210.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.026 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.8351 |
| Variability of Note Durations |
0.4334 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.5 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.4018 |
| Strength of Second Strongest Rhythmic Pulse |
0.2207 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.82 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6225 |
| Rhythmic Variability |
0.03909 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
100.9 |
| Duration in Seconds |
306.9 |
| Note Density |
3.943 |
| Note Density Variability |
1.214 |
| Average Time Between Attacks |
0.5579 |
| Average Time Between Attacks for Each Voice |
1.025 |
| Variability of Time Between Attacks |
0.2911 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2281 |
| Relative Note Durations of Lowest Line |
1.062 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.7488 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.055 |
| Average Number of Independent Voices |
3.359 |
| Similar Motion |
0.1717 |
| Contrary Motion |
0.2575 |
| Oblique Motion |
0.5158 |
| Parallel Fifths |
0.004167 |
| Parallel Octaves |
0.0008333 |
| Variability of Number of Independent Voices |
0.7899 |
| Voice Equality - Number of Notes |
40.71 |
| Voice Equality - Note Duration |
23.25 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
2.708 |
| Importance of Loudest Voice |
10.0 |