| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2067 |
| Prevalence of Second Most Common Vertical Interval |
0.1966 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9509 |
| Vertical Unisons |
0.01677 |
| Vertical Minor Seconds |
0.006866 |
| Vertical Thirds |
0.3519 |
| Vertical Tritones |
0.01306 |
| Vertical Perfect Fourths |
0.05004 |
| Vertical Perfect Fifths |
0.1809 |
| Vertical Sixths |
0.1516 |
| Vertical Sevenths |
0.02489 |
| Vertical Octaves |
0.1798 |
| Perfect Vertical Intervals |
0.4275 |
| Vertical Dissonance Ratio |
0.07415 |
| Vertical Minor Third Prevalence |
0.4091 |
| Vertical Major Third Prevalence |
0.2856 |
| Chord Duration |
1.752 |
| Partial Chords |
0.599 |
| Standard Triads |
0.2759 |
| Diminished and Augmented Triads |
0.01285 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1251 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.317 |
| Average Number of Simultaneous Pitch Classes |
2.239 |
| Variability of Number of Simultaneous Pitch Classes |
0.6431 |
| Average Number of Simultaneous Pitches |
2.641 |
| Variability of Number of Simultaneous Pitches |
0.5746 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
15.0 |
| Variation of Dynamics |
6.314 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
19.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2275 |
| Stepwise Motion |
0.6888 |
| Melodic Thirds |
0.1781 |
| Melodic Perfect Fourths |
0.05794 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04936 |
| Melodic Sixths |
0.002146 |
| Melodic Sevenths |
0.004292 |
| Melodic Octaves |
0.01073 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.192 |
| Melodic Embellishments |
0.006397 |
| Direction of Melodic Motion |
0.4675 |
| Average Length of Melodic Arcs |
2.072 |
| Average Interval Spanned by Melodic Arcs |
5.305 |
| Melodic Pitch Variety |
5.676 |
| Mean Melodic Interval |
2.567 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4614 |
| Relative Prevalence of Most Common Melodic Intervals |
0.493 |
| Amount of Arpeggiation |
0.2511 |
| Repeated Notes |
0.008584 |
| Importance of Middle Register |
0.6247 |
| Importance of High Register |
0.006397 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.37 |
| Mean Pitch Class |
5.62 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1045 |
| Prevalence of Most Common Pitch Class |
0.194 |
| Relative Prevalence of Top Pitches |
0.8367 |
| Relative Prevalence of Top Pitch Classes |
0.8791 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.606 |
| Pitch Class Variability |
3.401 |
| Pitch Class Variability After Folding |
4.059 |
| Pitch Skewness |
-0.08158 |
| Pitch Class Skewness |
-1.217 |
| Pitch Class Skewness After Folding |
1.01 |
| Pitch Kurtosis |
5.277 |
| Pitch Class Kurtosis |
4.811 |
| Pitch Class Kurtosis After Folding |
4.805 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3689 |
| Note Density per Quarter Note |
1.064 |
| Note Density per Quarter Note per Voice |
0.3545 |
| Note Density per Quarter Note Variability |
0.3975 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.678 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7846 |
| Prevalence of Very Long Rhythmic Values |
0.03838 |
| Prevalence of Dotted Notes |
0.1194 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.507 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4627 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4516 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.487 |
| Rhythmic Value Skewness |
1.024 |
| Rhythmic Value Kurtosis |
14.74 |
| Mean Rhythmic Value Run Length |
1.811 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.752 |
| Mean Rhythmic Value Offset |
0.02559 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2643 |
| Complete Rests Fraction |
0.002249 |
| Partial Rests Fraction |
0.2744 |
| Average Rest Fraction Across Voices |
0.1081 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.93 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.934 |
| Variability Across Voices of Combined Rests |
25.72 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.602 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1806 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.333 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7826 |
| Rhythmic Variability - Tempo Standardized |
0.05134 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
469.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4179 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5242 |
| Variability of Note Durations |
0.3365 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2485 |
| Strength of Second Strongest Rhythmic Pulse |
0.247 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.006 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4955 |
| Rhythmic Variability |
0.03489 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.0000000003967 |
| Duration in Seconds |
91.87 |
| Note Density |
5.105 |
| Note Density Variability |
1.443 |
| Average Time Between Attacks |
0.3554 |
| Average Time Between Attacks for Each Voice |
0.5524 |
| Variability of Time Between Attacks |
0.1542 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.4494 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.4158 |
| Relative Note Durations of Lowest Line |
0.9179 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.6844 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.04872 |
| Average Number of Independent Voices |
2.682 |
| Similar Motion |
0.1601 |
| Contrary Motion |
0.2622 |
| Oblique Motion |
0.529 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.00464 |
| Variability of Number of Independent Voices |
0.5548 |
| Voice Equality - Number of Notes |
19.3 |
| Voice Equality - Note Duration |
5.358 |
| Voice Equality - Dynamics |
7.638 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
10.0 |