| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2198 |
| Prevalence of Second Most Common Vertical Interval |
0.1881 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8556 |
| Vertical Unisons |
0.03859 |
| Vertical Minor Seconds |
0.002696 |
| Vertical Thirds |
0.3079 |
| Vertical Tritones |
0.007688 |
| Vertical Perfect Fourths |
0.1043 |
| Vertical Perfect Fifths |
0.1881 |
| Vertical Sixths |
0.1242 |
| Vertical Sevenths |
0.02492 |
| Vertical Octaves |
0.1812 |
| Perfect Vertical Intervals |
0.5122 |
| Vertical Dissonance Ratio |
0.05907 |
| Vertical Minor Third Prevalence |
0.4612 |
| Vertical Major Third Prevalence |
0.4159 |
| Chord Duration |
2.289 |
| Partial Chords |
0.4343 |
| Standard Triads |
0.4225 |
| Diminished and Augmented Triads |
0.01174 |
| Dominant Seventh Chords |
0.004695 |
| Seventh Chords |
0.01408 |
| Non-Standard Chords |
0.1291 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.169 |
| Average Number of Simultaneous Pitch Classes |
2.476 |
| Variability of Number of Simultaneous Pitch Classes |
0.7006 |
| Average Number of Simultaneous Pitches |
3.125 |
| Variability of Number of Simultaneous Pitches |
0.8544 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.822 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
21.28 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1816 |
| Stepwise Motion |
0.6675 |
| Melodic Thirds |
0.1415 |
| Melodic Perfect Fourths |
0.07311 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03774 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01179 |
| Melodic Large Intervals |
0.002358 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.0 |
| Melodic Embellishments |
0.03505 |
| Direction of Melodic Motion |
0.4672 |
| Average Length of Melodic Arcs |
2.095 |
| Average Interval Spanned by Melodic Arcs |
5.344 |
| Melodic Pitch Variety |
5.083 |
| Mean Melodic Interval |
2.429 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4858 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3738 |
| Amount of Arpeggiation |
0.2571 |
| Repeated Notes |
0.06604 |
| Importance of Middle Register |
0.7009 |
| Importance of High Register |
0.004673 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.31 |
| Mean Pitch Class |
5.327 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1168 |
| Prevalence of Most Common Pitch Class |
0.2056 |
| Relative Prevalence of Top Pitches |
0.9 |
| Relative Prevalence of Top Pitch Classes |
0.8864 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.87 |
| Pitch Class Variability |
3.447 |
| Pitch Class Variability After Folding |
2.95 |
| Pitch Skewness |
-0.4693 |
| Pitch Class Skewness |
0.2847 |
| Pitch Class Skewness After Folding |
0.2567 |
| Pitch Kurtosis |
5.463 |
| Pitch Class Kurtosis |
4.842 |
| Pitch Class Kurtosis After Folding |
7.8 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2944 |
| Note Density per Quarter Note |
0.9204 |
| Note Density per Quarter Note per Voice |
0.2301 |
| Note Density per Quarter Note Variability |
0.515 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4159 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8411 |
| Prevalence of Very Long Rhythmic Values |
0.1542 |
| Prevalence of Dotted Notes |
0.1098 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.528 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3645 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7051 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.193 |
| Rhythmic Value Skewness |
-0.6458 |
| Rhythmic Value Kurtosis |
7.477 |
| Mean Rhythmic Value Run Length |
1.574 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9767 |
| Mean Rhythmic Value Offset |
0.02804 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.58 |
| Complete Rests Fraction |
0.002133 |
| Partial Rests Fraction |
0.4796 |
| Average Rest Fraction Across Voices |
0.1817 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
80.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
14.08 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.9 |
| Variability Across Voices of Combined Rests |
49.19 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5861 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2117 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.768 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7978 |
| Rhythmic Variability - Tempo Standardized |
0.05142 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
428.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.602 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.9197 |
| Variability of Note Durations |
0.6131 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4469 |
| Strength of Second Strongest Rhythmic Pulse |
0.322 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.388 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7689 |
| Rhythmic Variability |
0.04499 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000001103 |
| Duration in Seconds |
120.3 |
| Note Density |
3.559 |
| Note Density Variability |
1.647 |
| Average Time Between Attacks |
0.5489 |
| Average Time Between Attacks for Each Voice |
1.107 |
| Variability of Time Between Attacks |
0.3581 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.2719 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.6075 |
| Relative Note Durations of Lowest Line |
1.062 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8318 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.08577 |
| Average Number of Independent Voices |
3.28 |
| Similar Motion |
0.1444 |
| Contrary Motion |
0.1653 |
| Oblique Motion |
0.6046 |
| Parallel Fifths |
0.006276 |
| Parallel Octaves |
0.01255 |
| Variability of Number of Independent Voices |
0.868 |
| Voice Equality - Number of Notes |
21.28 |
| Voice Equality - Note Duration |
12.72 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
11.67 |