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0 Musical Works for query "" and selected facets

Please note that features only apply to valid MIDI, Music XML and MEI files, and will exclude file formats from Sibelius, Finale, etc. For an explanation of all features, please consult the jSymbolic Manual.

Average Number of Simultaneous Pitch Classes:

Average Number of Simultaneous Pitches:

Chord Duration:

Complex Chords:

Diminished and Augmented Triads:

Distance Between Two Most Common Vertical Intervals:

Dominant Seventh Chords:

Minor Major Triad Ratio:

Most Common Vertical Interval:

Non-Standard Chords:

Partial Chords:

Perfect Vertical Intervals:

Prevalence Ratio of Two Most Common Vertical Intervals:

Prevalence of Most Common Vertical Interval:

Prevalence of Second Most Common Vertical Interval:

Second Most Common Vertical Interval:

Seventh Chords:

Standard Triads:

Variability of Number of Simultaneous Pitch Classes:

Variability of Number of Simultaneous Pitches:

Vertical Dissonance Ratio:

Vertical Major Third Prevalence:

Vertical Minor Seconds:

Vertical Minor Third Prevalence:

Vertical Octaves:

Vertical Perfect Fifths:

Vertical Perfect Fourths:

Vertical Sevenths:

Vertical Sixths:

Vertical Thirds:

Vertical Tritones:

Vertical Unisons:

Average Note to Note Change in Dynamics:

Dynamic Range:

Variation of Dynamics:

Variation of Dynamics In Each Voice:

Acoustic Guitar Prevalence:

Brass Prevalence:

Electric Guitar Prevalence:

Electric Instrument Prevalence:

Number of Pitched Instruments:

Number of Unpitched Instruments:

Orchestral Strings Prevalence:

Saxophone Prevalence:

String Ensemble Prevalence:

String Keyboard Prevalence:

Unpitched Percussion Instrument Prevalence:

Variability of Note Prevalence of Pitched Instruments:

Variability of Note Prevalence of Unpitched Instruments:

Violin Prevalence:

Woodwinds Prevalence:

Amount of Arpeggiation:

Average Interval Spanned by Melodic Arcs:

Average Length of Melodic Arcs:

Chromatic Motion:

Direction of Melodic Motion:

Distance Between Most Prevalent Melodic Intervals:

Mean Melodic Interval:

Melodic Embellishments:

Melodic Large Intervals:

Melodic Octaves:

Melodic Perfect Fifths:

Melodic Perfect Fourths:

Melodic Pitch Variety:

Melodic Sevenths:

Melodic Sixths:

Melodic Thirds:

Melodic Tritones:

Minor Major Melodic Third Ratio:

Most Common Melodic Interval:

Number of Common Melodic Intervals:

Prevalence of Most Common Melodic Interval:

Relative Prevalence of Most Common Melodic Intervals:

Repeated Notes:

Stepwise Motion:

Average Number of Independent Voices:

Contrary Motion:

Importance of Loudest Voice:

Maximum Number of Independent Voices:

Oblique Motion:

Parallel Fifths:

Parallel Motion:

Parallel Octaves:

Relative Note Density of Highest Line:

Relative Note Durations of Lowest Line:

Relative Range Isolation of Loudest Voice:

Relative Range of Highest Line:

Relative Range of Loudest Voice:

Relative Size of Melodic Intervals in Lowest Line:

Similar Motion:

Variability of Number of Independent Voices:

Variability of Voice Separation:

Voice Equality - Dynamics:

Voice Equality - Melodic Leaps:

Voice Equality - Note Duration:

Voice Equality - Number of Notes:

Voice Equality - Range:

Voice Overlap:

Voice Separation:

Average Range of Glissandos:

Dominant Spread:

First Pitch:

First Pitch Class:

Glissando Prevalence:

Importance of Bass Register:

Importance of High Register:

Importance of Middle Register:

Interval Between Most Prevalent Pitch Classes:

Interval Between Most Prevalent Pitches:

Last Pitch:

Last Pitch Class:

Major or Minor:

Mean Pitch:

Mean Pitch Class:

Microtone Prevalence:

Most Common Pitch:

Most Common Pitch Class:

Number of Common Pitch Classes:

Number of Common Pitches:

Number of Pitch Classes:

Number of Pitches:

Pitch Class Kurtosis:

Pitch Class Kurtosis After Folding:

Pitch Class Skewness:

Pitch Class Skewness After Folding:

Pitch Class Variability:

Pitch Class Variability After Folding:

Pitch Kurtosis:

Pitch Skewness:

Pitch Variability:

Prevalence of Most Common Pitch:

Prevalence of Most Common Pitch Class:

Range:

Relative Prevalence of Top Pitch Classes:

Relative Prevalence of Top Pitches:

Strong Tonal Centres:

Vibrato Prevalence:

Average Rest Fraction Across Voices:

Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized:

Complete Rests Fraction:

Complex Initial Meter:

Compound Initial Meter:

Difference Between Most Common Rhythmic Values:

Duple Initial Meter:

Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized:

Longest Complete Rest:

Longest Partial Rest:

Longest Rhythmic Value:

Mean Complete Rest Duration:

Mean Partial Rest Duration:

Mean Rhythmic Value:

Mean Rhythmic Value Offset:

Mean Rhythmic Value Run Length:

Median Complete Rest Duration:

Median Partial Rest Duration:

Median Rhythmic Value Offset:

Median Rhythmic Value Run Length:

Metrical Diversity:

Most Common Rhythmic Value:

Note Density per Quarter Note:

Note Density per Quarter Note Variability:

Note Density per Quarter Note per Voice:

Number of Common Rhythmic Values Present:

Number of Different Rhythmic Values Present:

Number of Moderate Rhythmic Pulses - Tempo Standardized:

Number of Relatively Strong Rhythmic Pulses - Tempo Standardized:

Number of Strong Rhythmic Pulses - Tempo Standardized:

Partial Rests Fraction:

Polyrhythms - Tempo Standardized:

Prevalence of Dotted Notes:

Prevalence of Long Rhythmic Values:

Prevalence of Medium Rhythmic Values:

Prevalence of Most Common Rhythmic Value:

Prevalence of Short Rhythmic Values:

Prevalence of Very Long Rhythmic Values:

Prevalence of Very Short Rhythmic Values:

Quadruple Initial Meter:

Range of Rhythmic Values:

Relative Prevalence of Most Common Rhythmic Values:

Rhythmic Looseness - Tempo Standardized:

Rhythmic Value Kurtosis:

Rhythmic Value Skewness:

Rhythmic Value Variability:

Rhythmic Variability - Tempo Standardized:

Second Strongest Rhythmic Pulse - Tempo Standardized:

Shortest Rhythmic Value:

Simple Initial Meter:

Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized:

Strength of Second Strongest Rhythmic Pulse - Tempo Standardized:

Strength of Strongest Rhythmic Pulse - Tempo Standardized:

Strongest Rhythmic Pulse - Tempo Standardized:

Total Number of Notes:

Triple Initial Meter:

Variability Across Voices of Combined Rests:

Variability in Rhythmic Value Run Lengths:

Variability of Complete Rest Durations:

Variability of Partial Rest Durations:

Variability of Rhythmic Value Offsets:

Amount of Staccato:

Average Note Duration:

Average Time Between Attacks:

Average Time Between Attacks for Each Voice:

Average Variability of Time Between Attacks for Each Voice:

Combined Strength of Two Strongest Rhythmic Pulses:

Duration in Seconds:

Harmonicity of Two Strongest Rhythmic Pulses:

Initial Tempo:

Maximum Note Duration:

Mean Tempo:

Minimum Note Duration:

Note Density:

Note Density Variability:

Number of Moderate Rhythmic Pulses:

Number of Relatively Strong Rhythmic Pulses:

Number of Strong Rhythmic Pulses:

Polyrhythms:

Rhythmic Looseness:

Rhythmic Variability:

Second Strongest Rhythmic Pulse:

Strength Ratio of Two Strongest Rhythmic Pulses:

Strength of Second Strongest Rhythmic Pulse:

Strength of Strongest Rhythmic Pulse:

Strongest Rhythmic Pulse:

Tempo Variability:

Variability of Note Durations:

Variability of Time Between Attacks: